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SARASIJA SUBRAMANIAN

Works
· Ban the old, dry methods
· Ban the old, dry methods/ The Human Adventure
· Anatomy of Plants / The Classification of Taste
· The Dictionary of Gardening
· And then the lotus eaters came 
· Lotophagi
     · And others, the less forgiving ones, they frighten us   
    · Something’s Missing
    · As she rises and falls  
    · Mass finished, the rock began to walk, and returned to the sea 
    · You run the risk of weeping a little, if you get yourself tamed    
   · (An)archive
    · Alternative Botanicals

Ban the old, dry methods / Serigraphs

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SARASIJA SUBRAMANIAN

Sea Monsters

And others, the less forgiving ones, they frighten us. 


Drawings on unbleached baking paper, digital prints, text and audio
Ireland and Bangalore
2017-2018




PREFACE
There exists a synonymity between the sea and the un-understood. Oscillating between fear, desire, a lack of control and yet undeniable yearning, man forges a relationship with the sea through stories. The speculative is mostly fantastical, yet very much lived. Beyond the fear though, there also exists love, usually unrequited. These beings come from the seas, enchant you, and at the cusp of it all, disappear back into the waters—into an abyss that is unattainable, volatile, and yet constant. 

There is more to these creatures, these monsters, ours and theirs. Cultures across the globe, for centuries, talks in whispers about such beings far removed from their own geographical locations; locations that are not seen, possibly heard of, but definitely not just imagined.





Sea Monsters installed at They walk amongst us, don’t they
Exhibit at 1Shanthiroad Studio/Gallery
Bangalore 2018